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Jewelry was minimal, perhaps a, drop earrings and bracelet were optional. For the very poor, a cotton housedress was the only outfit for the day. Colors for city folk were a bit on the drab side: black, navy, grey, tan, and olive green. In general, fashions by the close of the 1980s were more grown-up and sober, but outside of metropolitan areas many trends still hung on several years past their best before date.

In general, fashions by the close of the 1980s were more grown-up and sober, but outside of metropolitan areas many trends still hung on several years past their best before date. Seersucker suit on the left, ivory linen suit on the right. The power suit was a formidable garment.

Clothing and Shoes for a Fabulous Working Girl

Protagonist Tess McGill Melanie Griffith working girl clothing a homely girl raised and living in Staten Island, New York. Tess, however, has gained a degree through night school and harbours ambitions to use it for more constructive tasks than answering the telephone and fetching toilet paper for bawdy stockbrokers. Tess journeys across the Hudson River into Manhattan every day, like so many others, aboard the Staten Island Ferry. It was here that Ann Roth observed the attire of secretaries travelling into the city. And yet this is actually what they wore. In general, fashions by the close of the 1980s were more grown-up and sober, but outside of metropolitan areas many trends still hung on several years past their best before date. The costumes in Working Girl arc around one central premise: power dressing. The power suit was a formidable garment. Wide shoulders were the key detail, jacket tailored and fitted, along with knee length skirt and plain shirt. Taken directly from the male wardrobe, this look was filtered down from couture by Giorgio Armani. Incorporating fine lines from luxury materials cashmere was popular ; by mid-decade the Armani name had became interchangeable with the power suit. Tess attempts to imitate Katherine, and arguably these particular clothes pave the way for her new job at the end of the story. Yet Katherine is not as New York as Tess, not as brassy. Her strength comes more via form, i. The eighties was a battleground for those who possessed the widest shoulder pads, for they would own the room. Tess emulates this idea by attending her appointment with Jack Trainer Harrison Ford wearing almost the exact same outfit as Katherine for their introduction. Katherine is thrilled she can mention Chanel; one gets a feeling that she may not have used this quote otherwise. Though, in context, Chanel makes perfect sense. She was originator of functional attire for women sixty years before, basing her entire philosophy around subverting established attitudes toward femininity. When Tess and Katherine meet they could not look more different. Tess wears a black rollneck sweater, black wool jacket with padded shoulders and tweedy grey skirt. For Tess this is restrained, as in previous scenes we have already seen her in polka dot tights, a tight houndstooth skirt featuring exposed zip and tan leather coat with huge raglan sleeves. Yet despite any comparative restraint, stood facing Katherine who looks the model of business elegance in mid-grey collarless silk jacket with padded shoulders and matching just above the knee skirt, plain white top and light grey trench coat, Tess is still stylistically poles working girl clothing. Katherine is not full on power dressing, as such, but she exudes professionalism. Their first encounter is prefaced by a brief scene of Tess at home with her boyfriend. What once was so cheap is now the epitome of chic. Ever perceptive, Ann Roth exposed an element of dressing working girl clothing the lower echelons of business that is still prevalent for women today; the wearing of trainers on the hike to and from work. This is deeply unflattering, though practical as shoes donned inside the office were often statuesque heels. Once up the ranks however heels were still worn; another way for women to remain visible among largely male management teams. Yet roguish Jack Trainer is a role reversal. He is fetishised by women, although only those in an inferior hierarchical position, as a sex object. He hates clothes, discarding his shirt whenever he can by ripping off the buttons or dumping it nonchalantly on the floor. He is unorthodox; ogled through open blinds by a mob of secretaries surely the inspiration for those infamous Diet Coke commercials. However, it is far easier for a man to have a sense of humour about working girl clothing issues being as they were not openly objectified in the workplace. Working Girl plays a fun switcheroo but it hits a false note, especially when Trainer pleads with Tess to be taken seriously in their business deal. Trainer is only able to laugh at himself when he is in control. Secretaries in the movie are mainly portrayed as young and energetic, if not especially enthusiastic and ambitious, apart from Tess of course. Their clothes are probably what most people will remember from Working Girl. Some quite shockingly working girl clothing taste outfits, including leopard skin print jackets, block stripe tights and copious baggy leather outerwear, often worn with ginormous hoop earrings or all gold accessories. Katherine advices Tess to cut back on her jewellery and she does so. Despite this, Katherine is often seen wearing gold jewellery herself, although of a much higher quality i. Being chic is not easy for her. She is only there for the reception, but in certain social circles this is simply not done. However by the point Katherine returns to her job Tess has grasped a few of the basics. At this point, Tess cannot even muster enthusiasm to be her old self. She is confronted by Katherine wearing a vivid red suit jacket. Working girl clothing in managing to turn the tables on immaculate Katherine, close the deal and secure a new job, all the while wearing a pair of fraying jeans, Tess has bucked the system. It does not matter what you wear, business is business whether in a suit or sandals something that Facebook creator Mark Zuckerberg would attest to. What a pity then that for the last scene of the movie Tess is wearing possibly her most conformist outfit yet of oversized grey jacket with rolled-up sleeves and brown pussy bow blouse. So she attains her ideal job, by fair means or foul, but at what cost. Did Tess really achieve her dream, the supposed American dream, or just become another faceless drone in a suit?.

They also had to wear college colors in a scarf, a pocket square, bag, hat band, pin or ring. There was an outfit for every time of day, every type of outing, and every type of party. Men could wear a belt too but they were less common. The T strap heel is the most famous evening shoe because it held onto the foot while dancing the Charleston. Hats were not appropriate for evening wear unless it was a turban. Usually, a man had 3 or 4 suits he would wear during the week, changing shirts daily. They often did not have matching vests, and they fit poorly since they were purchased second hand. Beaded dresses were the most glamorous and most expensive.